LETTER FROM EMILY ZILBER, MFA BOSTON
Overall,
it was a fantastically rewarding and eye-opening trip. I do wish that
there would have been time to visit with more of AIDA’s artists. That could have been a week (or more) on its own, and wouldn't have been quite so frenzied. Aviva
did a terrific job of filling the days and time that I did have with quality
visits - I found myself wanting more time at many studios.
The
most positive visits were with Deganit Schocken and other professors at Shenkar,
and with Dafna Kaffeman,
who were both well prepared and had a good amount of work available to look at
in situ. I have had some good follow up conversations about the work with
each artist since I've been back in Boston. Deganit had a treasure trove of material in her office, and the new work - pieces made
from recycled metals and other materials recovered from checkpoints and
precious gemstones - is provocative and beautiful. Dafna may come to teach in Boston at MassArt for a time and
I'm glad to know her personally now. Her work is fantastic, and deserves
greater exposure in the US. Irit Abba's studio
was very alive, and I'm glad to have come at such a fruitful time for her, in
advance of the exhibition.
Another
highlight was the Benyamini Ceramics Center. I
was truly impressed with the new facility and the quality of the installation
there, and found the Director and Curator to be well-spoken and open in their overview of the ceramics scene in Israel. I was
impressed by their inclusion of some ceramic-related video work in the current
installation. I almost wish this had been one of the first visits, as it
gave a great overview to contemporary practice that allowed me to put other
things I had seen in context. Henrietta Brunner was great to meet as
well, and I was glad to be there to see the glass biennial. Overall - and
from my admittedly limited exposure - the work in glass was much less
sophisticated than the jewelry, ceramics, etc., but Henrietta was clear and
concise in explaining the history of glass in Israel and I commend her for
doing the hard work of supporting, mentoring, and encouraging artists to engage
with the medium. Everyone spoke of the important role AIDA has played
through its scholarship program. It was great to meet Ayala and Michal as we
have work by them both in the collection.
There
were some terrific design components in the program - the opening of a design
exhibition at Sotheby's, a visit to the design museum in Holon - with such a
vibrant scene and porous boundaries between decorative art and design at play,
it would be great to see AIDA more engaged there. Nirith Nelson, the curator of the design show at Sotheby's, was fantastic, and Maya Vinitsky at the Tel Aviv Museum seemed an interesting
colleague to begin conversation with - especially as she's installed a large
work by Galya Rosenfeld on the campus. There
was an optional studio visit with the graphic designer David Tartakover that was really fantastic.
Again,
let me know if you have any questions.
All my
very best,
Emily Zilber
Ronald
C. and Anita L. Wornick Curator of Contemporary
Decorative Arts
MFA
Boston
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